|
Black, Max (1937): Vagueness: An exercise in logical analysis. Philosophie of Science, 4, S. 427455. Bolton, Thaddeus L. (1894): Rhythm. American Journal of Psychology, 6, S. 145–238. Braun, Heinrich (1997): Neuronale Netze. Springer, Berlin Heidelberg. Braun, Heinrich, Feulner, Johannes und Ullrich, V. (1991): Learning strategies for solving the planning problem using backpropagation. In: Proceedings of NEURO-Nimes 91, 4th International Conference on Neural Networks and their Applications. Bregman, Albert S. (1990): Auditory scene analysis: The perceptual organization of sound. The MIT Press, Cambridge, Mass. Brower, Cadance (1993): Memory and the Perception of Rhythm. Music Theory Spectrum, 15(1), S. 19–35. Bruhn, Herbert (1988): Harmonielehre als Grammatik der Musik - Propositionale Schemata in Musik und Sprache. Psychologie Verlags Union, München/Weinheim. Bruhn, Herbert, Hg. (1993): Musikpsychologie - ein Handbuch in Schlüsselbegriffen. Rowohlt, Reinbek bei Hamburg. Buteau, Chantal (2001): Reciprocity between Presence and Content Functions on a Motivic Composition Space. Preprint. URL http://www.math.ethz.ch/~cbuteau/. Buteau, Chantal und Mazzola, Guerino (2000): From Contour Similarity to Motivic Topologies. Musicae Scientiae, European Society for Cognitive Sciences of Music (ESCOM), IV(2), S. 125–149. Byo, J. L. (1992): Effects of barlines, pitch, and meter on musicians’ rhythm reading performance. Journal of Band Research, 27(2), S. 34–44. Cambouropoulos, Emilios (1996): A Formal Theory for the Discovery of Local Boundaries in a Melodic Surface. In: Proceedings of the IIIme Journées d’Informatique Musicale. URL http://www.ircam.fr/equipes/repmus/jim96/actes/cambouropoulos/. Cambouropoulos, Emilios (1997): Musical Rhythm: A Formal Model for Determining Local Boundaries, Accents and Metre in a Melodic Surface. In: Leman (1997), S. 277–293. Cambouropoulos, Emilios (1998): Musical Parallelism and Melodic Segmentation. In: Proceedings of the XII Colloquium of Musical Informatics. Gorizia, Italy. |