BüHL, Achim & ZöFEL, Peter (2002): SPSS 11.Einführung in die moderne Datenanalyse
unter Windows. 8., überarbeitete und erweiterte Auflage. München: Pearson Studium.
COX, Arnie (2001): »The mimetic hypothesis and embodied musical meaning«, in:
Musicae Scientiae Vol. 5 Nr. 2, S. 195–209.
DENNETT, Daniel C. (1991): Consciousness Explained. Boston: Little, Brown. (dt.:
Philosophie des menschlichen Bewussteins. Hamburg: Hoffmann und Campe 1994)
DIEHL, Joerg M. & STAUFENBIEL, Thomas (2001): Statistik mit Version 10.0. Eschborn
bei Frankfurt a. M.: Verlag Dietmar Klotz.
DIEHL, Joerg M. & STAUFENBIEL, Thomas (2002): Statistik mit Version 10 + 11.
Eschborn bei Frankfurt a. M.: Verlag Dietmar Klotz.
HABER, Ralph Norman (1979): »When is sensory-motor information necessary, when
only useful, and when superfluous?« Behavioral and Brain Sciences 1979, 2, S. 59–94.
HALPERN, Andrea R. & ZATORRE, Robert J. (1996): »Working memory in the processing
of musical imagery«. In: Pennycook, B. & Costa-Giomi, E. (Hrsg.): Proceedings from
the Fourth International Conference on Music Perception and Cognition (S. 441–444).
Montreal: McGill University, Faculty of Music.
HAUEISEN, Jens & KNöSCHE, Thomas R. (2001): »Involuntary motor activity in pianists
evoked by music perception«. Journal of Cognitive Neuroscience 13, S. 786–792.
HICKOK, Gregory, BUCHSBAUM, Bradley, HUMPHRIES, Colin & MUFTULER, Tugan
(2003): »Auditory-Motor Interaction Revealed by fMRI: Speech, Music, and Working
Memory«. Journal of Cognitive Neuroscience 15, S. 673–682.
JEANNEROD, Marc & DECETY, Jean (1995): »Mental motor imagery: a window into the
representational stages of action«. Current Opinion in Neurobiology 5, S. 727–732.
LOTZE, Martin, SCHELER, G., TAN, H. R., BRAUN, Christoph & BIRBAUMER, Niels (Nov
2003): »The musician’s brain: functional imaging of amateurs and professionals during
performance and imagery«. Neuroimage. 20, S. 1817–1829.
MAX, Louis William (1934): An experimental study of the motor theory of consciousness.
I. Critique of earlier studies. Journal of General Psychology Vol. 2.
MCADAMS, Stephen & BIGAND Emmanuel (2001): Thinking in sound. The cognitive
psychology of human audition. Reprint. Oxford University Press: New York.
MCCALL, Gerald N. & RABUZZI, Daniel D. (1973): »Reflex contraction of middle-ear
muscles secondary to stimulation of laryngeal nerves«. Journal of Speech and Hearing
Research, 16: S. 56–61.
MEISTER, Ingo G., KRINGS, Timo, FOLTYS, Henrik, BOROOJERDI, Babak, MüLLER,
Mareike, TöPPER, Rudolph & THRON, Armin (May 2004): »Playing piano in the mind –
an fMRI study on music imagery and performance in pianists«. Brain Research/Cognitive
Brain Research 19, S. 219–228.
MIKUMO, Mariko (1994): »Motor encoding strategy for pitches and melodies«. Music
Perception, 12, S. 175–197.
NADOLECZNY, MAX (1923): »Über das innere Singen«. Beiträge zur Anatomie usw. des
Ohres usw., 19, S. 105–146.
PICO DELLA MIRANDOLA, Gianfrancesco (1500/1997): Über die Vorstellung. De
imaginatione. Herausgegeben von Eckhard Kessler. 3., verbesserte Auflage München:
Fink, 1997.
|