|
Heidelberg: Springer.
BISHOP, D. V. M. & ROBSON, J. (1989): »Unimpaired short-term memory and rhyme
judgement in congenitally speechless individuals: Implications for the notion of
›articulatory coding‹«. Quarterly Journal of Experimental Psychology 41A, S. 123–141.
BLAGONADEZHINA, L. V. (1940): »L’analyse psychologique de la representation auditive
de la mélodie«. Mémoires de l’Institut d’État de Psychologie, Vol. 1, Moscou.
BOLTON, T. L. (1894): »Rhythm«. American Journal of Psychology 6, S. 145–238.
BORTZ, Jürgen (1999): Statistik für Sozialwissenschaftler. 5. vollständig überarbeitete
Auflage, Berlin [u. a.]: Springer.
BREGMAN, Albert S. (2001): Auditory scene analysis. 4. Auflage, Cambridge, Mass.:
MIT-Press.
BRODSKY, Warren, HENIK, Avishai, RUBINSTEIN, Bat-Sheva & ZORMAN, Moshe (1998):
»Demonstrating inner hearing among highly trained expert musicians«. Proceedings of
the Fifth International Conference on Music Perception and Cognition. Seoul: Western
Music Research Institute. Seoul National University, S. 237–242.
BUCCINO, Giovanni, BINKOFSKI, Ferdinand, FINK, G. R., FADIGA, Luciano FOGASSI,
Leonardo, GALLESE, Vittorio, SEITZ, R. J., RIZZOLATTI, Giacomo & FREUND, H. J.
(2001): »Action observation activates premotor and parietal areas in a somatotopic
manner: an fMRI study«. European Journal of Neuroscience 13, S. 400–404.
CHAMINADE, Thierry, MEARY, David, ORLIAGUET, Jean-Pierre & DECETY, Jean (2001):
»Is perceptual anticipation a motor simulation? A PET study«. NeuroReport 12,
S. 3669–3674.
CLARK, Ruth S. (1922): »An experimental study of silent thinking«. Archives of
Psychology Vol. 48.
COLWELL, Richard & ABRAHAMS, Frank (1991): »Edwin Gordon’s contribution: An
appraisal«. School of Music Quarterly Vol. 2, Nr. 1–2, S. 19–36.
COURTEN, H. C. (1922): »Involuntary movements of the tongue«. Yale Psychological
Studies Vol. 10.
COURTIER, Jules (1897): »Communication sur la Mémoire Musicale«. Dritter
Internationaler Kongress für Psychologie S. 238–241.
COWELL, Henry Dixon (1926): »The Process of Musical Creation«. American Journal of
Psychology 37, S. 233–236.
CRITCHLEY, MacDonald & HENSON, R. A. (1977): Music and the Brain. Studies in the
Neurology of Music. London: William Heinemann Medical Books.
CROWDER, Robert G. (1989a): »Imagery for musical timbre«. Journal of Experimental
Psychology: Human Perception and Performance 15, S. 472–478.
CROWDER, Robert G. (1993): »Auditory memory«. In: McAdams, S. & Bigand,
E. (Hrsg.): Thinking in sound. The cognitive psychology of human audition. Oxford
University Press, S. 113–145.
CROWDER, Robert G. & PITT, Mark A. (1992): »Research on memory/imagery for
musical timbre«. In: Reisberg, D. (Hrsg.): Auditory Imagery. Hillsdale, NJ: Lawrence
Erlbaum, S. 29–44.
CROWDER, Robert G., SERAFINE, Mary Louise & REPP, Bruno (1990): »Physical
interaction and association by contiguity in memory for the words and melodies of songs«.
Memory & Cognition 18, S. 469–476.
|