Bibliography

Books and Articles

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Appleton, J.H. & Perera, R.C. (eds.) (1975) The development and practice of electronic music. New Jersey: Prentice Hall.

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Chadabe, J. (1996) The history of electronic music as a reflection of structural paradigms. Leonardo Music Journal, 6, 41–44.

Chadabe, J. (1997) Electronic sound. The past and promise of electronic music. New Jersey: Prentice Hall.

Cope, D. (1993) New directions in music, (6th ed.). Iowa: WBC.

Dallin, L. (1957) Techniques of twentieth century composition. Dubugue: William C. Brown & Co.

Emmerson, S. (ed.) (1986) The language of electroacoustic music. New York: Harwood.

Erlmann, V. (1996) The aesthetics of global imagination: reflections on world music in the 1990s. Public Culture, 8, Spring.

Frith, S. (1996) Performing rites: on the value of popular music. Cambridge: Harvard University Press.

Gorbman, C. (1974) Unheard melodies: narrative film music. New York: Garden City.

Griffiths, P. (1979) A guide to electronic music. London: Thames and Hudson.

Jones, S. (1992) Rock formation: music, technology, and mass communication. Newbury: Sage.

Judd, F.C. (1961) Electronic music and musique concrète. London: Neville Spearman.

Karlin, F. & Wright, R. (1990) On the track: a guide to contemporary film scoring. London: Collier MacMillan.

Kealy, E.A. (1982) Conventions and the production of the popular music aesthetic. Journal of Popular Culture, 16 (2), 100–115.

Lehrman, P. & Tully, D. (1993) MIDI for the professional. New York: Amsco Publications.

Manning, P. (1993) Electronic and computer music (2nd ed.). Oxford: Clarendon Press.

Manuel, P. (1995) Music and symbol, music as simulacrum: Postmodern, premodern, and modern aesthetics in subcultural popular musics. Popular Music 14.

Menezes, F. (1997) To be and not to be: aspects of the interaction between instrumental and electronic compositional methods. Leonardo Music Journal, 7, 3–10.

Milicevic, M. (1998) Deconstructing musical structure. Organised Sound, 3 (1), 27–34.

Mulder, A. (1996) Getting a grip on alternate controllers: addressing the variability of gestural expression in musical instrument design. Leonardo Music Journal, 6, 33–40.

Norman, K. (1994) Telling tales. Contemporary Music Review, 10 (2), 103–109.